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"Speaking is part of a whole: an expression of inner life." Cicely Berry has based her work on the conviction that while all is present in nature our natural instincts have been crippled from birth by many processes--by the conditioning, in fact, of a warped society. So an actor needs precise exercise and clear understanding to liberate his hidden possibilities and to learn the hard task of being true to the 'instinct of the moment'. As her book points out with remarkable persuasiveness 'technique' as such is a myth, for there is no such thing as a correct voice. There is no right way--there are only a million wrong ways, which are wrong because they deny what would otherwise be affirmed. Wrong uses of the voice are those that constipate feeling, constrict activity, blunt expression, level out idiosyncrasy, generalize experience, coarsen intimacy. These blockages are multiple and are the results of acquired habits that have become part of the automatic vocal equipment; unnoticed and unknown, they stand between the actor's voice as it is and as it could be and they will not vanish by themselves. So the work is not how to do but how to permit: how, in fact, to set the voice free. And since life in the voice springs from emotion, drab and uninspiring technical exercises can never be sufficient. Cicely Berry never departs from the fundamental recognition that speaking is part of a whole: an expression of inner life.. After a voice session with her I have known actors speak not of the voice but of a growth in human relationships. This is a high tribute to work that is the opposite of specialization. Cicely Berry sees the voice teacher as involved in all of a theatre's work. She would never try to separate the sound of words from their living context. For her the two are inseparable. --from Peter Brook's foreword to Voice and the Actor

The Voice Director of the Royal Shakespeare Company offers instruction and exercises for speaking and communicating effectively

This biographical dictionary is devoted to the actors who provided voices for all the Disney animated theatrical shorts and features from the 1928 Mickey Mouse cartoon Steamboat Willie to the 2010 feature film Tangled. More than 900 men, women, and child actors from more than 300 films are covered, with biographical information, individual career summaries, and descriptions of the animated characters they have performed. Among those listed are Adriana Caselotti, of Snow White fame; Clarence Nash, the voice of Donald Duck; Sterling Holloway, best known for his vocal portrayal of Winnie the Pooh; and such show business luminaries as Bing Crosby, Bob Newhart, George Sanders, Dinah Shore, Jennifer Tilly and James Woods. In addition, a complete directory of animated Disney films enables the reader to cross-reference the actors with their characters.

This biographical dictionary is devoted to the actors who provided voices for all the Disney animated theatrical shorts and features from the 1928 Mickey Mouse cartoon Steamboat Willie to the 2010 feature film Tangled. More than 900 men, women, and child actors from more than 300 films are covered, with biographical information, individual career summaries, and descriptions of the animated characters they have performed. Among those listed are Adriana Caselotti, of Snow White fame; Clarence Nash, the voice of Donald Duck; Sterling Holloway, best known for his vocal portrayal of Winnie the Pooh; and such show business luminaries as Bing Crosby, Bob Newhart, George Sanders, Dinah Shore, Jennifer Tilly and James Woods. In addition, a complete directory of animated Disney films enables the reader to cross-reference the actors with their characters.

Interested in Pursuing a Career in VO? Curious what goes on behind the scenes in a business where people talk funny for money? This updated edition of the award-winning first book offers a fun and comprehensive look at what it takes, what goes on, and what it’s like behind the mic from two (still) working pros who started from scratch. In this book you will discover: · The ins and outs of auditioning · Vocal warm-ups and exercises · Tips for reading copy to maximum effect · Hints to help you stand out · Advice for setting up your own home studio · Keys to marketing yourself: demo > agent > job · What to expect when you book the job · A bonus workbook to hone your skills · Performance capture, podcasting, & more!

A PEEK INTO THE SECRET WORLD OF THE VOICE ACTOR for those curious, daring or obsessed enough to look....This book offers a comprehensive look at what it takes, what goes on, and what it's like behind the mic from two working pros. In this book, you will discover: * The ins and outs of auditioning * Vocal warm-ups and exercises * Tips for reading copy to maximum effect * Hints to help you stand out * Keys to marketing yourself: demo to agent to job * What to expect when you book the job! Filled with anecdotes from 20 VO professionals (actors, writers, casting, directors, engineers, agents) the book is a fun and comprehensive look inside voice-over.

"Making Money In Your PJs" offers a unique look at what it takes to be and stay in business as a voice actor or other type of creative freelancer. It covers topics such as transforming your hobby into a profession, successfully promoting your business, turning potential clients into customers, pricing services for profit, getting paid on time, and how to stand out from the competition. The sheer depth, breadth, and quality of the information on the pages of "Making Money in Your PJs" makes this book an obligatory resource in your library of voice-over and freelance success-building.

Want to use your voice to make money? Learn the ins and outs of how to get started, including: microphone etiquette, how to make some of the most common noises and sounds (you might be surprised), working with copy, creating a demo reel, what to expect in the studio, the business of the business and much more. This is, hands down, the most comprehensive book on Voice-Over available. From beginners to pros, you’ll find value in Debi’s wealth of knowledge. Her tips and advice are the gems that only a true industry veteran and hard-working professional would know. Now she’s sharing it all with you! Plus, you’ll receive access to a video library where you can learn Debi’s tricks of the trade firsthand.

Book is in Used-VeryGood condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain very limited notes and highlighting. 0.43

Buy with confidence! Book is in new, never-used condition 0.43

The Magic Behind the Voices is a fascinating package of biographies, anecdotes, credit listings, and photographs of the actors who have created the unmistakable voices for some of the most popular and enduring animated characters of all time.Drawn from dozens of personal interviews, the book features a unique look at thirty-nine of the hidden artists of show business. Often as amusing as the characters they portray, voice actors are charming, resilient people-many from humble beginnings-who have led colorful lives in pursuit of success. Beavis and Butthead and King of the Hill's Mike Judge was an engineer for a weapons contractor turned self-taught animator and voice actor. Nancy Cartwright (the voice of Bart Simpson) was a small town Ohio girl who became the star protégé of Daws Butler-most famous for Yogi Bear, Huckleberry Hound, and Quick Draw McGraw. Mickey Mouse (Wayne Allwine) and Minnie Mouse (Russi Taylor) are a real-life husband-and-wife team. Spanning many studios and production companies, this book captures the spirit of fun that bubbles from those who create the voices of favorite animated characters. In the earliest days of cartoons, voice actors were seldom credited for their work. A little more than a decade ago, even the Screen Actors Guild did not consider voice actors to be real actors, and the only voice actor known to the general public was Mel Blanc. Now, Oscar-winning celebrities clamor to guest star on animated television shows and features. Despite the crushing turnouts at signings for shows such as Animaniacs, The Simpsons, and SpongeBob Squarepants, most voice actors continue to work in relative anonymity. The Magic Behind the Voices features personal interviews and concise biographical details, parting the curtain to reveal creators of many of the most beloved cartoon voices.

· Focuses on the relationship between voice training and acting· Simple, easy-to-follow exercises to strengthen the voice in just 10 minutes per day· Revised and expanded edition includes new techniques· Replaces ISBN 0-8230-8333-0Chuck Jones, the leading expert on using the voice to convey character, explains his groundbreaking techniques clearly and concisely in this revised edition of a classic. First, Jones examines acting basics related to the voice: being heard, character choices, and power. Then he introduces daily exercises that release, stretch, and strengthen the voice, in order to increase the actor’s expressive range. For any actor who wants to grow and develop, Make Your Voice Heard offers powerful, practical tools for connecting the voice to emotions—and using the vocal instrument to create new levels of meaning.

Is your voice sabotaging your first impression by being weak, croaky or nasal?Are people asking you to slow down or speak up when you talk?Do you find your voice hurts after a short speech or are your opinions being ignored?All of these factors are the results of poor speech habits which 'Speak and Be Heard' aims to remove from your vocal routine! 'Speak and Be Heard' contains a collection of 101 voice and breathing exercises suitable for beginners to accomplished Toastmasters aimed at naturally improving your voice. Written by voice actor and audiobook narrator Richard Di Britannia, his exercises aim to help you speak with confidence and curate a warm, rich, natural voice that people enjoy listening to.You will learn:Ways to empower yourself with three key concepts that create a great voice.How to identify weaknesses in your own voice and how to fix them.Exercises to rectify breathing problems and strengthen the muscles used when talking.How to make your voice deeper or higher in pitch.Routines to clearly vocalise all forty-four phonemes of the English language such as 'st', 'th', and drills on difficult to pronounce words. Unlike books dedicated to tongue twisters or recitations of long speeches which can be overwhelming, 'Speak and Be Heard' is even suitable for those with complex vocal issues. It deconstructs and rebuilds your voice through Di Britannia's bespoke system. If you struggle with a particular vocal sound, mouth-shape or just have an anxiety when talking, 'Speak and Be Heard' aims to help you overcome your weaknesses!Order the paperback and receive the Kindle edition for free!

· Focuses on the relationship between voice training and acting· Simple, easy-to-follow exercises to strengthen the voice in just 10 minutes per day· Revised and expanded edition includes new techniques· Replaces ISBN 0-8230-8333-0Chuck Jones, the leading expert on using the voice to convey character, explains his groundbreaking techniques clearly and concisely in this revised edition of a classic. First, Jones examines acting basics related to the voice: being heard, character choices, and power. Then he introduces daily exercises that release, stretch, and strengthen the voice, in order to increase the actor’s expressive range. For any actor who wants to grow and develop, Make Your Voice Heard offers powerful, practical tools for connecting the voice to emotions—and using the vocal instrument to create new levels of meaning.

· Focuses on the relationship between voice training and acting· Simple, easy-to-follow exercises to strengthen the voice in just 10 minutes per day· Revised and expanded edition includes new techniques· Replaces ISBN 0-8230-8333-0Chuck Jones, the leading expert on using the voice to convey character, explains his groundbreaking techniques clearly and concisely in this revised edition of a classic. First, Jones examines acting basics related to the voice: being heard, character choices, and power. Then he introduces daily exercises that release, stretch, and strengthen the voice, in order to increase the actor’s expressive range. For any actor who wants to grow and develop, Make Your Voice Heard offers powerful, practical tools for connecting the voice to emotions—and using the vocal instrument to create new levels of meaning.

A complete guide for all who want to make more effective use of their voice.“The goal of voice work ” Linda Gates explains in Voice for Performance “is to reveal the mind and soul of the character through the words of the playwright so the audience can both hear and understand.” She addresses key elements of voice and speech – Respiration, Vibration, Resonation, and Articulation – in a straightforward style and grounds her approach in the elimination of the separation between the actor's voice and speech. She also addresses how this relates to the voice of the actor/singer. For the first time, this book is now available in paperback and includes eight hours of exercises with Gates on two companion audio CDs.

Contemporary actor training in the US and UK has become increasingly multicultural and multilinguistic. Border-crossing, cross-cultural exchange in contemporary theatre practices, and the rise of the intercultural actor has meant that actor training today has been shaped by multiple modes of training and differing worldviews. How might mainstream Anglo-American voice training for actors address the needs of students who bring multiple worldviews into the training studio? When several vocal training traditions are learned simultaneously, how does this shift the way actors think, talk, and perform? How does this change the way actors understand what a voice is? What it can/should do? How it can/should do it? Using adaptations of a traditional Korean vocal art, p’ansori, with adaptations of the "natural" or "free" voice approach, Tara McAllister-Viel offers an alternative approach to training actors’ voices by (re)considering the materials of training: breath, sound, "presence," and text. This work contributes to ongoing discussions about the future of voice pedagogy in theatre, for those practitioners and scholars interested in performance studies, ethnomusicology, voice studies, and intercultural theories and practices.

Contemporary actor training in the US and UK has become increasingly multicultural and multilinguistic. Border-crossing, cross-cultural exchange in contemporary theatre practices, and the rise of the intercultural actor has meant that actor training today has been shaped by multiple modes of training and differing worldviews. How might mainstream Anglo-American voice training for actors address the needs of students who bring multiple worldviews into the training studio? When several vocal training traditions are learned simultaneously, how does this shift the way actors think, talk, and perform? How does this change the way actors understand what a voice is? What it can/should do? How it can/should do it? Using adaptations of a traditional Korean vocal art, p’ansori, with adaptations of the "natural" or "free" voice approach, Tara McAllister-Viel offers an alternative approach to training actors’ voices by (re)considering the materials of training: breath, sound, "presence," and text. This work contributes to ongoing discussions about the future of voice pedagogy in theatre, for those practitioners and scholars interested in performance studies, ethnomusicology, voice studies, and intercultural theories and practices.

Unread book in perfect condition.

Not only does veteran actor Harlan Hogan offer a fascinating personal account of the crazed clients, practical jokes, and amazing coincidences encountered during his twenty-five year career, he also provides a wealth of tested tips for surviving and thriving as a voice-over actor.This indispensable guide features dozens of techniques to help readers train their voices, gain experience, make a demo, join unions, get an agent, and more. It also includes strategies for finding work in venues outside film and television, including games, automated telephone systems, and even Web sites. Actors, broadcasters, and anyone else who longs to make money speaking into a microphone will cherish this informative, insightful, and often hilarious glimpse at the business.